Sunday, August 19, 2012

Looking back over my shoulder #VersusMY (Raya Restrospective)


I was, for the first time in my life, “coerced” into doing a reunion special for Versus in conjunction with Hari Raya.  But hey, there’s a first time for everything.  So now that day has arrived I have decided to dedicate my blog post to a retrospective piece on Versus.

When I was approached by TV9 to discuss judging for a show called Versus I loved the idea.  It was fresh and exciting but the only thing that was a hesitation for ALL of us was the SMS vote and how it would affect a band with a fan base that was less likely to vote.  But all in all the idea was something I believed in otherwise I would not have even considered getting involved.

Understanding the background from the bands/industry point of view is very important.  Of all the artistes the bands actually have it the hardest because they are less likely to get dinner shows and endorsements that fuel an artists career and then there is NO platform for them to expose their talent, lesser paying shows (no more expos) or paying concerts, hardly any airplay especially if they are a niche market (metalcore, punk,)

Our bands HAVE the ability to compete at an international level but they lack the platform to hone their talent.  Bands need to perform live in order to grow and gain experience.    We also do not have the support of the government that has yet to understand that our pop culture is just as important and significant to our society as is our mainstream culture.  

The community at large still does not understand that liking a band in NOT enough.  The bands and musicians need affirmative action in the form of buying ORIGINAL CDs, merchandise, tickets, songs.  They are not paid in advance and MANY of them pay to make their own albums.  Imagine they write (song & lyrics), play, arrange, produce, record themselves; pay a studio, engineers, cover designer, printing, pressing (CD), packaging, ALL WITH NO payment and NO guarantee of return.  So if you hear the song and you like/love it, you’re entertained by it, the LEAST we can do is pay for an original copy or original download.

So when Versus came along I saw it as the perfect platform to provide everyone a learning experience. It would allow the bands the freedom to create without the thought of having to conform for fear of elimination, yet they still had to win over the fans.  But if all the band exercised their creativity that would give the fans 5 different opportunities to see what our bands can do when allowed to think outside the box.

The other thing, which was very appealing, was that we would be choosing old songs to be rearranged any way the bands wanted.  Many were worried about the purists that would condemn the new arrangements as “blasphemy “ but to them and everyone I say - everyone has a right to how they feel.  Some like, other dislike that is the beauty of creativity… to each their own.  This would revive some of the golden era repertoire that many have been forgotten or otherwise lost to an era gone-by… I call it “looking back to go forward”.

The special thing about Versus was that ALL five bands that eventually agreed to do this had different strengths that cannot be denied. From creativity, musicianship, arrangement expertise, commercial viability, performance skill each band had a combination of abilities.  They all have popularity and they all have sold respectable albums.  It was an exciting prospect to see what they would do.

For the moment we opened the door with Versus the bands were out of the starting block with a vengeance with Black Parallax’s – Pada Syurya Di Wajahmu (Nash), GoGerila’s – Biso Bonar (Hattan), Hujan’s - Lamunan Terhenti (Aris Ariwatan), Sixth Sense - Kau Lupa Janji (Jamal Abdillah) and  Sofazr - Tanya Sama Itu Hud-Hud (M. Nasir),  and as the weeks went by we saw more and more sensational rearrangements, unique instrumentation ideas, exciting performances from bands that were drawing inspiration from their talent and influences.  This forward thinking gave the songs a new lease of life and a new following/fanbase yet still maintaining a distinct Malaysian flavour.

This was a unique reality program that ended up teaching everyone something.

For the bands being “forced” to deliver the goods week after week, performing live in front of an audience, the ability to be creative without borders and the pressure of competition (although friendly) produced the “best of the best” from the bands.  From this the bands learnt their own strengths and weaknesses; and understood how far they could push the creative limits yet still be accepted commercially. TO BLACK PARALLAX, GOGERILA, HUJAN, 6IXTH SENSE and SOFARZ MY UTMOST RESPECT TO YOU ALL.

As for the audience, watching the bands in this environment, they got to see their professionalism, and learn to appreciate the ability, inventive and edgy ideas that the bands delivered. Hopefully they will continue to support these bands and their efforts in bringing something new to our industry and scene.

For me it was a learning experience as to how hard it is to critique talent especially when they are all good in different ways.  I have tried to be as constructive yet honest in my opinions but I too have been like the audience blown away and humbled by the talent of all the bands.  I have always respected talent but this program has brought to light something I’ve always known... that “Competition breeds excellence” and the competitive environment drives you to do the best you can.

The HARDEST part of Versus is that there could only be one winner.  But in my heart of hearts those who have followed the progress and development of Versus are all winners in my eyes… the bands, the audience, TV9, Hotfm, the production crew and the judges…we have been served a dish of creativity by some of the best cooks in the business.

Salam Aidilfitri, Maaf Zahir Batin.
Peace, Love and Respect always

Monday, August 13, 2012

#Stop114A


For more information :  http://stop114a.wordpress.com/what-is-section-114a/

Band-it (Tips Pt.3)

In the past couple of months I have been to two amazing gigs called Mull; Debauch to Kuala Lumpur (Actor’s Studio Lot 10) and  the Northern Music Festival (Botanic Gardens, Penang). Watching the bands in action I really admire their passion and their ability to write and play their own music.  Some are veterans of the art of performance but many are still diamonds in the rough (Masih banyak yang perlu di buat untuk mengasah bakat yang sedia ada).  What I saw inspired me to do the 3rd. Series of Band Tips on twitter.  These are the points that were put forward with slightly more elaboration. This is just from my humble point of view.


The Padangs
1)  Control your stage volume
 Sometimes when bands play live they love to play loud.  The more excited they get the louder and faster they play.  But if you play too loud you will not be able to hear yourself on stage and nothing the engineer does can help u or your vocalist if you are playing louder than your monitors.  So learn to balance yourself on stage not have a loudness competition.  The answer is NOT to play louder.



Pesawat
2)  Step out from behind
As someone who takes official pictures and camera angles for TV I always have a problem with avoiding things that are in the way.  Please learn to move the microphone stand out of your way when you aren't singing or not using it (to the back but don’t block the drummer) and if you are a musician playing a solo step forward, it helps camera pick-up (an others NOT involved learn to step back or join in don't block).  If not all the pictures and videos will have u blocked by things!





Tres Empre
3)  Big intros and anti-climaxes
So many bands do this.  Come on stage launch into some big movie soundtrack opening only to stop TOTALLY to say the bands name and the title of the next song, then pick-up again... ANTICLIMAX!  Either get someone to introduce you properly before you play  (seriously) or play the intro (I know a lot of bands do this to balance themselves/check lines) and segue straight into the next song THEN only stop and talk… watch the internationals they play 2-3 songs before even saying a word.





7 Collar T-Shirt
4) Encouraging crowd reaction
A lot of bands are throwing things into the audience as a habit to encourage crowd reaction, which is fine, but PLEASE don't throw your album into the crowd… that’s your target market, they will buy if you do a good job of performance.  Most Malaysian bands are already selling CDs at ridiculously affordable prices.  If you must throw something - picks, drumsticks, towels, posters, t-shirts are fine.  If they don’t buy your album you better think about  a) doing  better songs or b) performing better!

 
Rosevelt
5)  Special Effects not Defects
What ever you decide to do whether it’s spinning your guitar round your neck, playing guitar with teeth, behind your back, juggle drumsticks, hand confetti, it’s always planning to do something spectacular that the crowd will always remember.  BUT If you want to do something different in your set make sure it’s spectacular not a spectacle.  Practice the move and if you’re not confident don’t try it.



Kyoto Protocol
6)  Teamwork…AGAIN         
A band is a team.. you can't have good midfielders and no finishers.. so the musicians and the vocalist need to make sure they do their jobs equally well!   There are some bands where the music is very tight but have a mediocre vocalist or a fantastic vocalist but weak musician/s.  You are as strong as your weakest link… so whatever that link may be work on strengthening it!  No “tidak apa” attitude allowed.



An Honest Mistake
7) Colour me Concert
There is no right or wrong for concert attire but you don’t want to look lifeless/style-less.  Casual is fine but got to make sure you don’t look like you’re going to the pasar malam… fans look up to you, aspire to be you.  Try to wear a colour that complements your complexion… Do not wear solid white for the camera, it looks lifeless unless you’re on a big production stage and you’re wearing all white and singing like Lionel Ritchie…always where colours like blue, yellow, red or black.



Oh Chentaku
8)  Standing out
Sometimes when genres become a hit, currently/trendy or has a huge following it will spawn a number of bands with the same sound… before it was Rock n’ Roll to Glam Rock then Seattle Sound to now, metalcore.  The problem with this is that after a while all the bands begin to sound alike.. small technicalities do not make a difference to the general music fans' ear… melody, collaborations, different lead instruments, mixing genres do.  So you need to listen to others and learn to differentiate yourself… do something else that will make you standout.


Monoloque
9)  Naming the band
Names are important.. it’s branding for the artist whether solo or group.   A group has the difficult responsibility in finding a name that will project and promote the collective identity of the group and its music.  If you intend to aim for a international market then you need to think about a name that people can remember and pronounce if people can't even say your name properly you have a problem.



Tilu

10)  Arranging the set
When playing sets arranging your songs is the most important.  Don’t play the same set or songs over and over because you WILL have regulars in the crowd.  Try to plan something different every time you go out.  Think about rearranging hit songs, play acoustic versions or medley-ing songs. After working on individual songs then start practicing them as a set so that you can see the flow is and readjust as and when you think it pulls the mood down.




Again these are just humble observations.  I learn a lot from watching the bands, some of you do amazing things during your live performances - amazing arrangements,  crowd handling, gimmicks, singing ability, musicianship... there IS NOTHING like watching a band play live well... it's inspiring. 

P/S :  
Band-Aid (Pt 1) : http://jenntho.blogspot.com/2011/02/over-last-two-months-i-have-been.html
Band-Age (Pt.2) : http://jenntho.blogspot.com/2012/07/band-age-tips-pt2.html

Peace, Love and Respect.